This post comes at the end of a long day where I had totally intended to post earlier (hey, I got busy!), but since we're coming up on a long holiday weekend--you can still get out there and participate in Read Comics in Public Day!
Today is important. It's meant to help recapture our excitement for powerful visual storytelling as much as it it's aimed at helping to de-mystify and de-stigmatize an artform some may consider "juvenile" or time you could have spent reading a "real" book.
So what makes comics so special anyway?
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| Paleolithic paintings from Bhimbetka caves in India |
Comics are an essential part of our modern, visual language. More than just superheroes with boxes drawn around them--they're the building blocks of storytelling with the camera lens of the mind's eye. They're motion and emotion and language broken down into the most significant beats of a story--its DNA.
The true strength of comics (sometimes called sequential storytelling) is the ability to reshape those individual nuggets of character, setting, and pacing into a whole, cohesive-and-yet-captivating tale. One that can be examined by the reader--backwards, forwards, and holding still--over each frame in time--as no other art form can. They're not just pictures with word bubbles, but actually pictures
as words (the best of them are, anyway).
Comics are rooted in illustration, our oldest, visual fine art. Drawing, paintings, etchings, scrawls from primitive tools or by hand helped our ancestors express experiences in a way that could be shared immediately and--at least to them--as a way to carry messages through time. From cave paintings, to illuminated manuscripts, to political cartoons and pulp stories--we've been reading comic books in one form or another for as long as we could spread paint on rock.
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| Wonder Woman issue #1 |
Why do we need to read them in public?
Comics earned their inheritance from the pulp novels of early 20th century. The most successful pulps enticed readers with stories of mystery, romance, and high adventure. Most of them weren't aimed at kids--though many children and young adults took to them.
Comics came along as a cheaper, slimmer, quicker way to tell a story--enthrall readers, and get them coming back for more. By the 1930s magazine publishers were becoming comic book publishers, and during this time some of our most iconic pop culture characters emerged: Superman, Wonder Woman, Batman. By the early forties: Captain America.
When the U.S. entered World War II, comics went with soldiers overseas to help them escape the horrors they'd faced on the battlefield, and as a reminder of simple pleasures back at home. When the war ended, American GI's brought their love of comics home, now hooked on the characters they'd come to love.
Shaming an Industry
But to keep growing audiences, comics grew up, and soon followed the pattern of the more adult stories the pulps had established years earlier. After the war, veterans returned home to start families. Rock and roll emerged. Teenagers rebelled and the strict confines of 1950s society couldn't hold back the coming societal changes. The term "juvenile delinquency" became a part of the national lexicon as parents hoped to restrain the newfound rebelliousness of the newest generation--the Baby Boomers.
Politics became embroiled in the teenage vs. parent conflict found in many American households--but a straw man was needed--something that could be fought against and held up as a scapegoat for parental fears--and comics were the perfect target. In 1954, psychiatrist Fredric Wertham published
Seduction of the Innocent, a damning report about how American youth were falling victim to the corruptible influence of comic book violence and sexual overtones. It was a witch hunt (not uncommon in the 50s). Comic publishers and creators were summoned to Washington to atone for their sins during a Congressional investigation. Comics were ruining everything and an entire industry was made to pay a steep price--censorship.
Publishers, seeing no other alternative, worked together to create a self-imposed standard called the
Comics Code Authority, that would serve as a literal stamp of moral approval. But the damage was done--for decades to follow comic books would have to settle for being second-rate, low-brow lit. (Note: it was proven once and for all last year that Wertham
falsified his research and testimony.)
A Hero for Comics
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| Jack Kirby's birthday is August 28 |
Comics persisted though--and as the industry matured, so did their visual palette. Storytelling had to be more compelling to keep selling comics. Many creators helped weave a rich history of comics culture. One stood out and still stands the test of time as being the "King of Comics"....
Jack Kirby.
Kirby began his career during that Golden Age heyday, and went to become (in all likelihood) the most prolific comic book artist of the Silver Age. He created Captain America for Timely Comics (the early Marvel studio) and went on to create and/or design many of Marvel's most recognizable characters: Thor, the Incredible Hulk, Iron Man, the X-men, the Avengers, and more.
He's beloved by comic book readers above all others because his heroes were real--that is, they suffered in their stories. They carried the burden of outside responsibilities, past sins, and real-world problems. They also lived in vibrant, foreshortened, feverishly colored worlds. Jack's worlds. His work fed the dreams of filmmakers, musicians, and artists of all quarters. His characters became icons.
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| Can you imagine a world without The Avengers or Captain America? |
If comics had a patron saint, Jack Kirby is indefatigably he. He's the hero for an art form once vilified. Today, September 28, would have been his 96th birthday. And so it's easy to see why the creators of Read Comics in Public Day chose his birthday as the day we should all celebrate comics together.
Okay, so what do I do now?
Whether you prefer the Sunday newspaper variety, the superhero sagas found in specialty stores or bookstore racks, long-form graphic novels, or the electronic versions that can be downloaded to e-readers--
comics need you. There are stories out there that you need to see, that a movie can't convey. There are characters out there that you need to know, that a TV show on Netflix isn't going to speak to you in the same, intimate fashion. Read something you love. Share it with people.
Let others ask you questions. Let your friends, family, and total strangers know that you're a comic book reader and that you appreciate a great story--and a great story can come from anywhere--even (especially!) from comics.
Perhaps the most important reason to read them in public--so those people know that you--whomever you might be or what your background is--loves comics.
So get out there and read them today, tomorrow, this weekend, and every day as you would any other book--share what you love!
Resources:
All images: Wikipedia
Switch on your lightsaber, power-up your electron microscope, and prime those thrusters--it's SCI-tember! We're celebrating science AND science fiction throughout the month of September. That means lots of fresh books and comics celebrating the wonders of nature and imagination from all corners of the universe! 
UP, UP, AND AWAY--FOR GOOD.
Super Dinosaur is about a boy and his talking tyrannosaurus rex, Super Dinosaur (with a name like that, it's kind of setting him up for success, yes?). They square off against the evil Maximus, fight crime, go on adventures, you know, the usual. But the best part is the suit. SD might have quite the bite, but his reach isn't so great (he's got tiny arms). Yes, that totally does not sound "super". So they gave him a cool Iron-Man-like suit of armor complete with full-sized arms controlled by two teeny joysticks his widdo claws opewate so he can do AWESOME things like kung-fu! I told you he was SUPER.
Foshay? FO'SHO!
